DIY & Custom Video Editing Gear

DIY and Custom Film Editing Gear

Editors and post-production professionals of all stripes love their gear. They love ‘workflow enhancing’ gizmos, especially if they’re customisable and have dazzling lights or cool features.

And I confess I am one of them.

But I’ve come to discover that a certain sub-group of these post-pros love to take things a step further and either create their own custom devices, or take an existing device and hack it about a bit to make it do something new.

In this post I’m going to give you a guided tour of the best custom made video editing and colour grading gear I’ve seen over the years.

If you have something that should be on this list – get in touch!

My greatest contribution to this world of customisation is to (badly) chop the top off a £4 IKEA iPhone stand to use it as vertical stand for my Loupedeck CT. Which actually does the job quite nicely and makes it far more useable, from an ergonomics perspective.

If you’re interested in exploring other film editing and colour grading peripherals then check out these previous posts:

Custom Film Editing Controllers

The genesis of this post dates back to 2016 when I saw this amazing custom editing controller created by Whiskey Tango Foxtrot director Glen Ficarra, in this equally superb insider article from FCP.co.

Glenn enjoys operating FCPX with a trackpad thanks to the multiple gestures it can interpret.

I built my own controller ‘cradle’ around the trackpad with extra keys and encoders around the trackpad to make it even faster.

All this came about because my partner John misses the jogwheel, but I didn’t want another piece of outboard gear, as I already have one hand on the trackpad.

Glen Ficarra

Glen 3D printed the enclosure after designing it in Sketchup and wiring it with Cherry MX switches, rotary encoders and a jog/shuttle wheel just under his thumb.

If you jump over to the full article on the editing of Whiskey Tango Foxtrot over on FCP.co you can even seen the (very neat) wiring on the underside of the controller.

The usb interface is a Leo Bodnar DIY joystick board and it is all mapped with “Joystick Controller” app.

The encoders control volume/soloing/nulling, timeline appearance, zoom, subframe and frame nudging and the dual encoder in the middle navigates the inspector and controls values.

Glen Ficarra

I’ve written more about editing with multi-touch gestures via BetterTouch Tool, at the very bottom of this post on The Best Mouse for Film Editors.

Build list:

DIY Shuttle Wheel

Mazze (see last section) pointed me to this excellent tutorial from Alan Latteri featuring a $30 USB Volume knob, which can be reprogrammed with a simple text editor to make a cheap job wheel for your edit suite, using hotkeys to make it do your bidding.

You need this specific device from iWit.me, which also hosts helpful support documentation.

D-Warp 3D Printed Split Keyboard

Darren Hallihan shared this great image of his editing set up featuring a bespoke D-Warp split-keyboard based on a gaming keypad like design, plus a Stream Deck XL, Loupedeck Live and custom key-capped number pad.

You can download the 3D printed designs from Thingaverse here and read more about Darren’s build process here.

Custom Gaming Keypad for Film Editing

My mate, Editor Simon MacKenzie created this custom editing controller by changing out the keycaps on a gaming keypad.

I’m always cutting in Avid. My current set-up is this gaming keypad with custom keys and my small Wacom tablet.

I bring it everywhere I go. I’m fortunate to be on back to back long contracts so I just bring my kit in on day one and then it’s all set up for the next few months.

Simon MacKenzie

Originally he cut up an EditorsKey’s silicone keyboard cover, to test out and refine his layout before buying the real printed keycaps from WASD.

You can custom design the keycap colours of complete keyboard shortcut cherry MX keycaps for Avid Media Composer, Final Cut Pro and Adobe Premiere Pro over on the WASD site.

If you’re switching out the keycaps on any mechanical keyboard you’ll want to get one of these cheap keycap remover tools, here’s Amazon’s choice for a few bucks.

I’ve included some transparent keycaps in the list below in case you want to print your own labels and pop them under the keycap while you figure out your final layout.

Build List

This keypad benefits from Redragon build quality, additional macro keys and a detachable wrist rest

Simon’s Allreli gaming keypad is no longer available so here are some affordable gaming keypads that should be compatible with Cherry MX keycaps.

Custom Keycaps

WASD Custom Keyboard Designs

My custom design so far, except…

WASD Keyboards seems to be the go-to company for custom building your own mechanical (clicky) keyboard.

These aren’t exactly cheap at around $170 – $220, although a full-size ‘magic’ Apple keyboard will set you back $179.

On the WASD site you can completely custom design your own bespoke keyboard from the colour of the keycaps to the print on their tops, which I’ve started to do, in the image above.

As an editor I’m torn because I like the look of the compact layout but I know that I’m going to be hamstrung without the arrow keys, and to be honest the number pad. So a full-size layout would be a much smarter choice.

Here’s a quick guide to building your own custom keyboard.

First choose between an ANSI or ISO QWERTY keyboard layout (US vs elsewhere).

There are three size options to choose from:

  • Full size 104/105 keys (including numpad, function keys and arrow keys)
  • Medium 87/88 keys (full size minus numpad)
  • Compact 61/62 keys (pictured above)

From there you can either buy a ‘regular’ keycap print (e.g. all black/white keys with the usual letters/symbols) with a few customisations, such as the OS legends or font styling.

You’ll also have to choose the type of Cherry MX switches you want under your fingers based on their colour names, which all have a slightly different feel and sound.

Maybe you can turn this into something later on…

One thing that’s worth doing to make sure you get the most joy out of your custom keyboard is to pre-order a tester unit from WASD which features each of the Cherry MX switches you can choose from, so you can feel and hear the difference for yourself.

From there you can completely craft your own colour combination of keycaps for their regular keyboards using their very useable online designer.

My tip would be to create a login so you can save your designs and come back to them, especially if you’ve invested a fair amount of time perfecting your look. Otherwise it’s a hassle to re-do it every time you want to make a change.

If you want to go the whole hog, you can even upload your own custom keycap icons to have printed or buy bespoke single keycaps from their library to add to your design.

You can also buy custom pre-designed keycaps or entire pre-built keyboards from their library of Maker Designs, some of which are quite cool.

They also have pre-made keyboards with custom printed keycaps for these creative apps:

  • Adobe Premiere Pro
  • Avid Media Composer
  • Final Cut Pro
  • Pro Tools

In this previous post you can catch a glimpse of The Old Man and The Gun editor, Lisa Zeno Churgin’s custom WASD keyboard she had made to help her transition to Premiere Pro from Avid Media Composer.

Custom Stream Deck Cradles

Like almost every editor and colorist I know who has one, I’m a big fan of the Elgato Stream Deck.

It’s a workflow enhancing device that actually, truly makes editing and grading, easier, faster and more fun. I’ve reviewed in it detail here, including some pre-set layouts you can download.

The Stream Deck currently comes in three sizes:

If you’re not sure where to start with designing your own icons, pop over to SideShowFX for a ton of free and paid icon kits.

But once you’ve gotten a Stream Deck and customised it to your heart’s content, the next step is to create a custom cradle, stand, holder to get it set up just where you want it.

Here’s some inspiration for your own design, or thanks to the magic of 3D printing you can download and test out some of these for yourself.

If 3D printed plastic isn’t your thing then maybe you can persuade Matthias Aderhold (Mazze) to make you another one of his machined aluminium, double Stream Deck cradles, which allows you to remove the top and bottom plates to fit two single Stream Decks in the chassis.

These fit beautifully next to a full suite of Tangent Element panels.

Single Stream Deck (15 buttons)

Single Stream Deck horizontal stand with wrist rest – Thingverse.com

Stream Deck Cradle to match Tangent Element Panel – Thingaverse.com (Pictured above)

Multiple Stream Decks (15 buttons)

Stream Deck XL (32 buttons)

Download Joey D’Anna’s Stream Deck XL for the Blackmagic Design Mini Panel, pictured above.

(Completely irrelevant but cool) – Stream Deck XL Button Box

Colorist Juan Salvo, shared this picture of his bespoke dual XL winged set up around a Blackmagic Design Mini panel, which are supported by custom 3D printed bases.

Custom DIT Controllers

DIT Jamie Metzger shared this image of his custom StreamDeck and Decimator MD-Quad controller for use on-set.

Coloured buttons control an MD-Quad so I can see A/B/C/D or the 4-up.

Jamie Metzger

Custom Colour Grading Control Surfaces and Cradles

Colorist Mathieu Marano makes these beautiful wooden surrounds for these Tangent Element panels, Stream Deck and other devices.

The King of DIY Projects – Angry-Face

If there is anyone who is arguably the king of DIY editing gear projects it is Mazze from Angry-Face.com.

We’ll start with the main thing that Angry-Face offers, which is a way to pimp out your colour grading suite with some custom alterations to the Tangent Element colour grading panels.

Right now, that includes custom made metal rings to replace the rubberised originals, and petrol black trackerballs to replace the bright red signature originals too.

If you want to go one-step further you can also have the surface of your panels transformed with a deep black powder-coated finish. All three of these customisations are pictured above.

In the past Angry-Face has also offered some fun colour alternatives for the rings too.

They also make the Rageboard which is a complete custom console comprised of Tangent Element panels and a pen tablet. A little like the FilmLight Blackboard for Baselight.

Adolfo Martinelli’s Suite

Over the years Mazze has undertaken a number of creative customisations of the Tangent panels. Here’s a quick list of some of those projects, many of which include DIY instructions for those daring enough to try it themselves.

Up-cycling Element Panels with an aluminium foil finish (seen above)

Sandblasted and Anodised Tangent Element Panels

3D Printed and Illuminated Buttons on the Tangent Element Bt (includes free download)

Avid Artist Color Panel Refurbishment – Step by Step Guide

Quantel eQ Colour Panel Rebuild

Mazze rebuilt this Quantel eQ colour grading panel, essentially from scratch, and he makes it sound much easier than I’m sure it was…

The slight downside is that I had to replace all the encoders through cheap new ones, since the old ones were broken.

But the heart of it all is a little arcade controller, called U-HID.

I stuffed two of them in there and connected all trackerballs, buttons and encoders. Lots of soldering.

But in the end, all controls behave like either a keyboard, or a quadrature device (mouse, essentially: X/Y axis).

So if you have a U-HID controller, all you need is a chassis and trackerballs / encoders / knobs and you can solder stuff together.

It’s super easy, really.

Mazze

Using a MIDI Controller with DaVinci Resolve

Some folk like to brew their own colour grading controllers by cleverly hacking together a MIDI controller hardware and ControllerMate software.

Created by Glenn Venghaus, there is a highly developed version of this set up for the APC40 Mk1 and Mk2 midi controllers which are around £255/$299.

You’ll also need the €100 set up from Glen as well as a copy of Controllermate for $25 for it all to work.

There is also a more compact edition of the set up created for the Arturia Beatstep midi controller.

So for about $400+ you can have this kind of comprehensive colour grading set up, which if you’re willing to learn it’s ways and intricacies, might deliver some great return on the investment.

Midi Grade controller Review

This is similar to the Midi Grade with a DJ Fighter Twister set up, which you can read about it more detail here.

Tangent Wave Booster with AutoHotKey

André Rodrigues has created a Windows AutoHotKey software mapping to enhance the level of control you have in DaVinci Resolve when using Tangent Wave or Element colour grading panels.

Tangent Panels has a very limited support for DaVinci Resolve these days and there’s no signal that Blackmagic will do something about this, because we know, they want sell their panels. So I created TWB that gives your Tangent Panel a lot more control over DaVinci Resolve than the original support.

André Rodrigues

You can check out the full details on André’s site and download the mapping for $199 here.

Got something you want to see included in this post?

Hit the comments and let me know!

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