What's it like to win the chance to edit your first feature film for pay and credit? Find out how these three editors did it in this in-depth interview...
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Can editors learn valuable insights from Director James Cameron's Filmmaking Masterclass? Yes. Yes. Yes. Here's my film editor's review and 5 things I learned along the way.
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What's it like to video edit with the Huion Kamvas Pro 16 Plus 4K pen display? Does the KD100 Mini Keydial help? Set up, customisation and review all in this detailed post!
The 2021 5DayDeal for Video Editors – An Unmissable Deal!
For the next 5 days (until June 8th 2021) you could get over $4000 worth of training and assets for $157, or maybe even for "free"...
The Best Video Editing and Colour Grading Newsletters
Discover the best newsletters for video editors and colorists plus sign up to these post-production email lists to never miss out on regular free downloads!
Affordable Colour Grading Monitors
Affordable Colour Grading Monitors Last Update – May 2021 (Complete rewrite!) If I was to recommend an affordable colour grading monitor it would be the ASUS Pro Art PA329C (2019) because it...
I’m launching a new thing!
I'm launching a new thing! Cut/daily is a new subscription email delivering curated insights to Post-Production Pros, sign up for two weeks free!
Skills Editors Can Learn Cutting Trailers
This (free!) professional trailer editing training, will give editors valuable skills they can apply to any project they cut next. Here's 5 things I've learned...
How to Become a Better Colorist
Some of the best film and TV colorists in the industry share their insights on the art, craft and business of colour grading in this extensive post on how to become a better colorist.
Tom Cross – The Art and Technique of Film Editing – MZED Course Review
First Man and La La Land editor Tom Cross delivers a valuable masterclass on the art and craft of film editing in this 8 hour training course, even experienced editors will enjoy.
Editor Tom Cross on Cutting First Man
Learn the details of how Oscar winning editor Tom Cross cut First Man, to create a visceral cinematic experience.
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