Useful Resources for Learning Colorists The last post I did called Colorist Resources was very popular so here is yet another round up of some of the latest tips and tutorials to hit the web. If you...
Category - Editor’s Tools
Useful tools for film and video editors
Colour Correction in Resolve, FCPX & Avid
Colour Correction Tips for Resolve, FCPX & Avid Here’s a quick round up of some useful tutorials on colour correction in Davinci Resolve, Final Cut Pro X and Avid Media Composer. The first...
Tips for Easier Editing in FCPX
Tips for Editing in FCP X If you’re new to editing in FCPX getting used to the unique way in which it does a few things can be a bit of distraction to getting any real work done. Hopefully this...
Interviews with Editors who are using Avid
Avid Editors – Interview Round Up I’ve been collecting a growing list of links to interviews with editors who are using Avid Media Composer to get their job done, whether thats a major...
Working with C300 LOG Footage in FCP7 – Plus Free LUTS
Working with C300 LOG Footage in FCP7 The other day I had to work with some C300 LOG footage in FCP7 and needed to quickly apply a LUT that would show the client what it might actually look like in...
Lightworks On Mac
Lightworks on Mac Lightworks is probably the first (?) truly cross platform NLE, running on Linux, Windows and (soon) Mac OSX. So although its exciting to see the demo above at NAB 2013 of Lightworks...
Diary of an Avid Switcher Part 4 – The Media Composer 7 Version
Getting To Work In Media Composer Today is the first day that I’ve enjoyed editing in Media Composer. I feel like I might be starting to see why people love it so much. Hopefully this also...
Color Grading Round Up – NAB 2013 Edition
Colorists on Color Grading Here’s a quick round up of color grading panels, displays and announcements from this years NAB. If you’re interested in the latest color grading gear this...
DaVinci Resolve 10
DaVinci Resolve 10 The company making the most amount of noise and online clamour at this years NAB (as they were last year too) was Blackmagic Design. They’ve released two new cameras, one of...
Premiere Pro Next Vs FCPX 10.0.8
Premiere Pro Vs FCPX – Updated NLE’s If you’ve been following the NAB 2013 announcements you’ll know that Adobe is making steady strides towards the professional post...
The Current State of Post-Production
Editors on Post Production Trends The Editor’s Lounge Pre-NAB panel is celebrating its 10th year in style with this extremely lively discussion between Debra Kaufman (Creative Cow) and...
How To Be A DIT – Part 4
Useful Resources for DIT’s If you are interested in becoming a working DIT or just understanding a bit more about what they actually do, then this 4th round up of useful links and resources...
NLE Color Correction Round Up
Colour Grading in Your NLE If you’re looking to get some quick colour correction done then often the fastest place to do that is right there on your timeline. Most of my colour correction and...
Matching Film Stocks with Film Convert
Matching Film Stocks with Film Convert If you’re looking for a simple way to match your digital footage to what you might get out of a film camera then Film Convert is a New Zealand based...
Diary of an Avid Switcher Part 3 – Things I Should Have Done
Learning Media Composer – Doing Things Right From The Start So this is my third instalment of my Avid Diary of a Switcher and thanks to the help of everyone who has commented I’m slowly...