Understanding the basics of color grading Aaron Williams gives a fast paced but valuable 30 minute presentation to introduce color grading to relative beginners, giving a ’30’000 ft...
Category - Editing
Color Grading Techniques
Learning Color Grading Techniques Photoshop tutorials abound on the internet and some of the techniques applied to grading still photography can be easily utilised in a film grading suite. Sites like...
The end of the cinema experience?
Film vs Digital – The End of Cinema? A short documentary reflecting the views of a handful of (mostly) british projectionists lamenting the end of 35mm projection and the coming ‘tidal...
Epic Cartier advert
Free DaVinci Resolve Video Tutorials – One Week Only!
Patrick Inhofer from Tao of Color is giving away two complete lessons from his DaVinci Resolve 8 Masterclass series, which are available to download for this week only! DaVinci Resolve Training...
Moneyball editor Christopher Tellefesen
Studio Daily has a great interview with Moneyball editor Christopher Tellefesen about his instinctive process of cutting, reliance on Avid Script Sync and combining Oscar nominated performances with...
Edit Suite Etiquette
How to keep your editor happy Joy Moeller shares what to do and not to do in an edit suite to keep your editor happy. It’s funny because its true!
How an animated film is made
How An Animated Film Is Made A short animated film explaining the animation process to new clients and animation students.
How to build your portfolio
When you are starting out you often have to build your portfolio from scratch; creating own ‘spec’ adverts or short films and doing plenty of gigs for free or as favours for friends...
Documentary Editor’s discuss their work at Edit Fest NY
Documentary Editor’s on How To Edit Steve Audette has posted up the full length, three part, panel discussion from Edit Fest NY 2011, which features four professional documentary editors...
Which version of Pro Res should I use?
Depending on what the type and quality of work you are producing, picking the right Pro Res codec can be crucial to ensuring you maintain a pristine image throughout and don’t end up running...
Andrew Stanton on editing John Carter – Pixar’s latest film
The Making of John Carter from Mars Andrew Stanton talks through the post-production challenges involved in creating John Carter which is Pixar’s latest film and their first live action...
An exemplary lecture on editing documentaries…
How to edit a documentary Frontline editor Steve Audette delivers a fine lecture on how to edit documentaries in a gripping fashion. Steve has edited for over two decades for Frontline and Nova, and...
How to edit a network TV show
What do editors actually do? If you’ve ever wondered what editing a network TV show might look like then here’s a time lapsed view of an editor creating an hour long show for the NBC...
Using Automator to prepare FCP timelines for Color
Preparing your FCP timeline for Color When you are preparing a final cut pro timeline to be sent to color there are often a lot of effects or speed changes etc that need to be ‘baked in’...