Learning Avid Media Composer 6.5.2 – Solutions for FCP Editors
If you’re in the throws of making the switch from FCP7 to Avid Media Composer (or just learning Avid for the first time) and you simply want to know how to get started with a few simple things and understand how Avid behaves then hopefully this compilation of links and resources will save you sometime rummaging around on the internet.
Hopefully by the end of this post you’ll feel a bit more like the guy in the blue lycra and less like the guy in the red…
Questions & Answers of an Avid Switcher
Project Settings – When you start a project all you need to set up is the frame rate and frame size and then you can control how your media is ingested afterwards. The only thing you can’t change once a project is set up is the frame rate. (Thanks to all those who commented in my first post about this!)
Can you copy and paste audio keyframes in Avid? – Yes. See the video below for a full run down on audio keyframes. In FCP you can select whether the keyframes spread out to fill the duration of the new clip or whether they just paste out exactly as they were before, not 100% sure how this works in Avid.
Shortcuts: Shift+v paste attributes. Nudge keyframes up/down in volume is shift+cmd up/down arrows.
Where do I get the AMA plugins from? – Download AMA plugins here.
Can you select all clips in the timeline? Pressing CMD+a in any other program in the world selects all. Not in Avid – it does in the Bins but not in the timeline. To select all clips to move them around in the timeline click the select all left and right buttons (hold alt to not select filler) or map them to a keyboard shortcut. I chose < and > keys.
One Wish: – That I could switch the ‘filler’ aspect of the timeline on/off so that it acted like every other timeline in the world, as just the background workspace. I can see how its useful as an ‘adjustment layer’ but why not just make that a clip? I read this post on understanding filler but I’m afraid I didn’t get the logic of it as it simply seems to be a hangover from the days of physical film editing. A switch on/off for new and legacy users would be nice.
Changes I made to Avid to be a bit more friendly
When in Trim Mode Avid has a pre and post roll built in. I removed pre roll on the playhead so that it just started where I have it, rather than a bit before. To do this just adjust the numbers under the source monitor. The left box is pre roll, right is post.
I wanted to be able to move to next edit without entering into trim mode. Thanks to Genius DV I now can. Personally I mapped these to the up and down arrows to move along clip by clip on the timeline.
When pulling selects in FCP I use bits of text as a way of titling each category of selects strung out on my timeline, or detailing the basic content of a following interview clip so I could quickly pound on the Up/Down arrows and skip through text comments of each clip on my timeline.
In Avid creating text is a bit more clunky (to me so far, I’m sure its not in reality) than in FCP so I opted for using markers (locators) instead of text elements. In Avid you have simple text tool called Title Tool and also Marquee which is a whole external app and I’ve not yet looked into it. I can’t remember if its the default, but I have shift + up and down arrow mapped to move to next/previous locator and its onscreen text comments.
I added ‘Add edit’ mapped to H key where I like it next to my JKL controls.
How do you get in and out of trim mode? Y and U are the keyboard shortcuts that get you in and out of trim mode. If you find yourself randomly in trim mode then just hit Y (and think to yourself WHY!!)
Custom Keyboard Mappings – Here’s what I’ve got so far for the keys and the shift modifier.
Free Avid Media Composer Learning Resources
Kevin P McAuliffe and Creative Cow has an ever growing tutorial series (60 plus videos and counting) on learning Avid. This is an incredible free series and well worth watching in full or dipping in and out of.
There is also a shorter ‘Wanna Switch’ series which introduces Avid for FCP7 editors (This is for AMC 5.5 – Superbins are scrapped in v6 I believe?)
Avid Tips & Tricks
The Avid Assistants Handbook website also has a great library of tips and tricks which is well worth a rummage. Timeline Tips | Editing | Multigrouping | Digitizing | Audio | Settings | Bins | Effects
Also check out the Avid category on this blog for lots more Avid related posts.
Other great ‘Switcher’ posts include this one from Oliver Peter’s and Scott Simmons PVC list of useful links as well as Strypes in Post’s translation of different NLE idioms for FCP, Avid and Premiere Pro.
The University of Texas’s College of Communication also has a really useful technical knowledge base that is also worth browsing. This quick tip on audio waveforms (which should be black and not grey. They will be black only if they match your sequence) and how to convert audio sample rates in Avid is how I found it.
Avid’s official shortcut list – not sure if this is from an old version or not? Not an appealing layout.
Audio Shortcuts – Tips from Genius DV
Making Avid Like FCP 7
Check out this video if you really want to tweak Avid to look a lot more like FCP, but I’m not sure its the best idea to go all the way. You are trying to learn a new program after all. One thing I do like about Avid is that you can customise the colours of the interface. Its the simple things!
What’s New in Avid Media Composer 6.5
Ripple Training‘s Steve Kanter runs through the new features in Media Composer version 6.5. That some of these features are ‘new’ scares me a little – eg audio keyframes, batch relinking etc. For even more detail on new features check out this official Avid page.