Search Results for: raw

Workflows for working with Arri & RED Raw footage

Arri Raw and RED Raw in Premiere Pro 6 Richard Harrington demonstrates in this short tutorial how to work with Raw footage in Premiere Pro. Offline-Online RED FCP7 Workflow If you’re looking to do an offline-online workflow with your RED … Continue reading

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Creating End Credit Crawls Online

End Credit Crawls Made Simple Endcrawl.com from Autoglyph looks like a promising new way easily create typeset end credit crawls and then out put them as DPX sequences. Essentially you use one of their templates, which includes a logo archive … Continue reading

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Understanding RAW, LOG and Uncompressed

What’s the difference between RAW, LOG and Uncompressed? HDVideoPro.com has a useful post explaining the differences between shooting RAW, LOG and uncompressed video. Andy Shipsides explains the essentials differences to all three of these camera elements, using the ARRI Alexa … Continue reading

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Using metadata to colour correct RAW video

Blain Brown has a handy 7 minute tutorial on adjusting the metadata on your RED raw footage, in this case inside Assimilate Scratch, to colour correct your footage to the appropriate ISO, colour temperature and F-stop. Adjusting metadata in RAW … Continue reading

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How To Be A DIT – Part 10

How To Be A DIT – Tutorials, Tools & Workflows In the 10th instalment of my How To Be A DIT series I’ve put together an extensive round up of valuable insights from around the web for those looking to … Continue reading

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New Features in Premiere Pro CC 2014

Learning Premiere Pro CC 2014 – New Features The latest release of the Adobe Creative Cloud applications are now available for immediate download and as an editor I’ve already updated to Premiere Pro CC 2014. But wait? Isn’t it a … Continue reading

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Colour Grading Tutorials and Resources for DaVinci Resolve and more

Grading Tutorials for DaVinci Resolve and more If you want to grow as a colorist then tutorials like this one from colorist Matt Scott will help you improve your art, craft and technique. That and everything else in this post! … Continue reading

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Thunderbolt 2 RAIDs for Post Production

Thunderbolt 2 RAIDs for Post Production What are the best Thunderbolt 2 RAIDS for post production professionals? Hopefully this post will give you a good overview of some of what’s available. If you have a Mac Pro or a recent … Continue reading

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DaVinci Resolve 11 – New Features

DaVinci Resolve 11 – New Features For Colorists DaVinci Resolve 11 was announced at NAB 2014 and will be available in (late) June. As always Blackmagic Design have pulled out all the stops to pack over 140 new features into … Continue reading

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DaVinci Resolve 10 Colour Grading Resources

DaVinci Resolve 10.1.3 Colour Grading Resources The latest version of DaVinci Resolve 10.1.3 is now out – so speedy are the folk at Blackmagic Design and so determined are they to keep improving their world class product. So what’s been … Continue reading

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