Which hard drive should I buy for video editing?

Which hard drive should I buy for video editing?

Best thunderbolt drives for film editing

  • Which is the best hard drive for film editing?
  • Understand essential hard drive tech terms
  • A range of hard drive options for different editing scenarios

I often get asked by producers which hard drive they should buy for the projects I work on for them. I thought I’d write up a quick blog post that explains which harddrives are best for video editing and why, and some of my preferred drives to use for different tasks.

UPDATE: This post has been updated and revised to better reflect new choices and more recent resources to help you choose the best drive for the job. Updates in bold.

If you just want to jump straight to some drives that are good for video editing here are some solid favourites. If you want more drives, scroll to the bottom and work up.

I’ll try to update this post on a semi regular basis as the cost of drive keeps falling and the interfaces keep updating. The next Mac laptops should have Thunderbolt 3 (Q4 2016)

August 2016 Update Quick Links

Large capacity fast editing drive – Thunderbolt G-Tech G-Drive 4TB – Amazon.com | Amazon.co.uk

Affordable editing drive – G-Tech G-drive 1TB USB 3 7200rpm – Amazon.com | Amazon.co.uk

Affordable, portable large back up drive (5400 rpm) – Maxtor M3 4TB – Amazon.com | Amazon.co.uk

4TB drive cheap for backup


Other solid choices

Western Digital USB 3.0 4TB Mybook Studio – Amazon.com | Amazon.co.uk

Lacie Rugged USB 3.0/FW800 (7200 rpm) – Amazon.com | Amazon.co.uk

Promise Pegasus Thunderbolt 2 RAID 6TB – Amazon.com | Amazon.co.uk

Understanding hard drive speeds, connections & capacity

Firewire 800 Lacie Rugged 500GB 7200rpm

When you are video editing the two most important things you need from a hard drive are capacity and connection speed. That is getting enough space and making sure you can get to that space fast enough. The simplest of these to understand is connection speed. If you’re squeezing your data through a small pipe its going to take longer, if you push it through a big pipe it will get there quicker. So the connection (USB2, USB3, Firewire 400, Firewire 800 and the new Thunderbolt) is one of the first things to choose.

In these days of HD video you really want to have at least Firewire 800, USB3 or Thunderbolt. That said I have edited HD from USB 2 drives – its not fun, but you can get away with it if you must. Thunderbolt is the newest and fastest and more drives are now available that work with it. Whatever drive you buy, make sure the editors computer will connect to it. Older Macs do not have USB3 or Thunderbolt.

Future Proof Yourself. If you’re working on a Mac these days it’s quite likely to have both USB 3 and Thunderbolt and so in order to get the most longevity from your purchase you should make sure they have these connections.  If you’re looking into Thunderbolt drives you might want to check out this giant round up of The Best Thunderbolt Peripherals For Film Editors. 

The other factor in choosing a drive is the speed of the internal workings on the drive itself. Most hard disks spin at 5400rpm and some spin at 7200rpm. The faster the drive spins the faster the computer can read from it and the quicker it gets to you. If you’re editing video you really want a 7200rpm drive.

2016 Update – If you’re working from a more expensive solid state drive then picking your drive based on RPM is redundant because there’s no spinning parts! Solid State drives are faster than 7200rpm drives, but particularly affordable in comparison, yet.

Working out what size drive to buy

So you know what drive connections you need and that you’re looking for a 7200rpm drive. The next thing to figure out is what capacity you will need. The easiest way to work this out is to use an free online app like Video Space Online or download a free iphone app like AJA Data Calc to do the math for you.

AJA data Calc Free AppBasically you estimate how many hours of footage you will have, what format, frame rate and codec that footage is in. If you are shooting multiple cameras factor that in too. If you are transcoding the footage from one format to another then a safe bet is to double the capacity. You’ll also need to throw in some space for all the exports, renders, music files, graphic files etc that are created during an edit.

Once you have worked out the total capacity in GB (gigabytes) or TB (terrabytes) then really you want to buy twice as many drives so that you can have a mirrored back up. That way if one drive goes down you can keep on editing straight away and still meet your deadlines. Also with tapeless workflows you MUST back up your camera originals even if you don’t back up your transcodes (which take up more space) – although I would recommend backing up everything!

Different Drives for Different Tasks

Here are a few quick thoughts on which drive to pick for different editing scenarios.

Editing in the field – If I’m expecting to travel with a hard drive then I’ll ask for a Lacie Rugged. They’re small, lightweight, rugged (as the name suggests!) and you can easily pack them in a bag to take on plane, train or automobile. I once received one with a dent in the top and it still worked perfectly! They are also ‘bus powered’ which means that they can run off the power from the computer/laptop so you don’t need an external power supply. Which is really useful if you are actually editing in a field. In the past 10 years I’ve not had any problems with a Lacie drive so I’m pretty confident in them. 500 GB is usually plenty of space for the kind of short form projects I often work on.

Buy from Amazon.com | Amazon.co.uk

G-Tech G-Raid Mini 1TBSimilarly the G-Tech G-Raid Mini’s are also very good drives, although they tend to be a little bit more expensive than the Lacie’s. They are about the same physical size although they feel a bit more delicate. They also look a whole lot nicer! One benefit is that they run a bit cooler thanks to their design. (that and not being surrounded by rubber!) Amazon.com | Amazon.co.uk

Once I update my Mac to a Thunderbolt enabled laptop, I would probably spring for something like the Lacie Little Big Disk for all the same reasons, but with the added benefit of a Thunderbolt connection. Buy from Amazon.com | Amazon.co.uk

Editing in the suite – If you’re editing in an edit suite and not really planning on going anywhere and you’re working on a bigger project that necessitates more capacity then I would usually ask for something like the G-Tech G-Raid which comes in 2TB, 4TB, 6TB and 8TB sizes. They are reassuringly hefty, come with a plethora of connections and cables and have never failed on me before. Buy on Amazon.com | Amazon.co.uk

G-Tech G-Raid 8TB Harddrive

If you want something a lot bigger and much more long term then I recently suggested a Promise Pegasus Thunderbolt 12TB RAID to a producer on job that ended up with 120 hours of footage (coming from 8-9 different Firewire and USB drives) that had been filmed over the course of a year. Having the space to store all of the media in one place and re-transcode much of the footage was vital to getting the project done.Promise Pegasus 12TB RAID

The internal speed of the RAID itself was also a huge help. RAID’s are essentially a group of hard drives that act as one big hard drive, giving you increased transfer speeds as well as an internal back up. In RAID 5 if one of the drives fails you can still rebuild all your data. They’re not cheap, but on some jobs they are worth every penny. It is important to note that with a drive in RAID 5 you lose about 20% of the capacity to achieving the redundancy. Thus a 12TB drive gives you about 10TB of editing space.

The RAID is about the size of 2 toasters on top of each other (?) and quite heavy so its not the kind of thing you want to be lugging around. Handily you can also remove the drives and add capacity if you need to – although this does involve rebuilding the RAID. Another thing to know is that it takes about 10 hours for the RAID to sort itself out when you first turn it on, during which time you can use it, but it works at a slower speed.

Buy on Amazon.com | Amazon.co.uk

Client Delivery Drive

The last thing you need to think about is how will you deliver the finished project. Does the client want a copy of all the footage, the project files and final exports? Depending on the final size of your project sending them a small USB 2 drive is usually fine. But as always check with them. I’ve used both Lacie Rikki’s and Western Digital Passport drives to send clients a digital copy of the final project. They are both about the size of a passport, light and durable enough to be sent by mail, if nicely wrapped.

Something big and cheap

If after all that you just want a big cheap harddrive to back up onto, store tons of data on and you generally don’t care much at all what it looks like then I’d suggest something like a Western Digital My Book. I have edited from the FireWire 800 versions and they are entirely satisfactory. Buy on Amazon.com | Amazon.co.uk

UPDATE:  With the newer Macs having USB 3.0, which delivers transfer speeds second only to Thunderbolt, these MyBook Studio 4TB drives represent a good purchase in terms of speed to cost ratio. Generally cheaper than Thunderbolt (in fact half the price!) these drives will give you a lot of space for a thrifty payout.  Buy on Amazon.com | Amazon.co.uk

* A Couple of Caveats

Western Digital Mybook

There are a couple more things you should know about hard drives. The more drives you connect to a computer the slower it will go. The slowest drive also becomes the lowest common denominator. Finally if you’re not sure which drive you should get for this project, definitely check with your editor first.

Finally although I’ve recommended Lacie’s a lot in this post its not because I have any affiliation with them (or anyone for that matter!) – its just that I’ve used them for years without any problems, so I tend to always get them on the next project, make of that what you will.

Update: More Resources For Picking The Right Harddrive

In compiling this post on what’s the best hard drive to use for video editing, I’ve stuck to the drives I know and use on a regular basis. That said here are some great resources to help you choose the best drive for you and some other specific recommended drives.

Den Lennie from Fstopacademy talks through the drives he uses on location and in the edit suite, in the 10 minute video above. Den recommends similar Lacie Rugged and G-Tech drives mentioned in this post.

What’s the most reliable hard drive?

Most reliable Hard drives

Chris Potter from ScreenLight.tv has a good analysis, from a video editors point of view, of this Backblaze blog post on the most reliable drives for long term storage. Scroll down to the bottom of the post for the more specific info for video editing. G-Tech drives are made by Hitachi.

Other Editors Recommend

Editor Josh Short tweeted about these Fantom Drives (which I’ve never heard of or used, as they’re not available in the UK) but if you’re interested you can check them out here on Amazon.com. The Quad Pro or Geforce 3 Mini’s look particularly good.


  • Unless it’s changed very recently, the Lacie Ruggeds are only 5600 RPM (albeit quality/Samsung) drives!

    • This used to depend on the size of the drive. The 500GB drives were 7200 RPM, where as the 1TB used to be 5400RPM, from memory!

  • Hi Eric

    Thanks for taking the time to comment, and glad you found it useful. I’ve heard plenty of horror stories in my time but never actually had any happen to me personally so far.

    I would always make sure you have a back up of your data on two separate physical drives (and store a back up of your project in dropbox or similar) so that if anything does go wrong you should be able to keep going without skipping a beat.

    That said with a fuse blowing you would have through they could just replace that, or take the drive out of the housing….

    If you’re going for that many TB’s you might as well get a Pegasus RAID which has inbuilt storage protection (in RAID 5 configuration) and will be faster.

    Maybe check out this post too.

    Hope that helps a little. Will be interesting to see what others say!

  • Thanks so much for this article! I’ve learned so much. I’m a producer who started editing my own projects a decade ago on AVID with PC. So I’m not tech savvy at all.

    I’ve been using G-Tech mostly but read a frightening story the other day from someone whose fuse blew on a G-Tech 8 TB and it was impossible to recover data. Is that really the case?

    I’m on the prowl for at least 8 TB or 12 TB.

    So any recommendations from folks would be most helpful.

  • Based on my own experience with the Lacie Network2 5Big, I would never buy another Lacie – it was such a dog. No upgrade path for Mountain Lion – so I now have a boat anchor. The Pegasus seems like a nice option, but there are some pretty bad reviews on the R4 and R6 at the apple store. Thunderbolt options are so limited!

    • Thanks for the thoughts Simon. I’ve never had a problem with a LaCie drive myself but I know others who have. It does seem to be a bit hit and miss.

      Hopefully the Thunderbolt 2 Pegasus drives will work out some of the kinks.

  • Hi Jonny good article. Not sure if you mentioned this but most drive read write slows down at about 75% capacity. This need to be factored in when working out how much space you will need.
    On another note, some drive run at 10000rpm and some at 15krpm. These are more expensive but when R/W speed is everything then often it’s better to buy a working drive with faster drive ad then a backup drive with slower cheaper drives.
    I stand to be corrected on some of there stats, I’m not an expert just an user.

    And I don’t like LaCie Drives. Unreliable. I have 5 assorted faulty LaCie drives. Waste of money.

    • Hey Jon
      Thanks for taking the time to comment. Yeah 75%-80% for optimal performance on a drive and thanks for including some more info on read/write speeds. As for Lacie drives I’ve never had a problem with them, although it always seems to be for everyone who hasn’t there are people who have. Saying that I’ve not really experienced bad hard drives and none of the ones I’ve mentioned have ever failed on me.

  • I wonder why there are so many recommendations for the Pegasus thunderbolt drives, but not so many for the LaCie 5big. The latest is RAID1, but is way cheaper and if you buy the 10TB now, you could just upgrade to 20TB if needed in the future.

  • I just thought I’d add a thought to this post on something I haven’t made quite crystal clear although it’s kind of obvious when you think about it.

    If you’re going to have two drives, with one as a back up of the other, you will need to keep copying across any new assets etc that you have created that day, backing up project files etc so that everything is in two places at once. Ideally these two drives would end up in physically different locations to protect against loss or theft.

    If you have a raided drive, it will be doing this mirroring for you (in effect) but then everything is physically in one location if your suite/house/hotel room/boat gets broken into or catches fire etc etc.

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