How to edit a $200 million dollar movie Here is an in-depth interview from Studio Daily with film editor Lee Smith and assistant editor John Lee discussing their workflow and creative process for...
Category - Craft
Batman The Dark Knight Post Production
Editing Batman The Dark Knight I’m a big fan of Christopher Nolan’s movies, I can’t think of one I haven’t enjoyed both from an entertainment perspective and a craft or...
How to become a film editor
If you’re just starting out in the film business and are wondering how do you get from where you are, to where you want to be – in my case working full time as an editor and getting paid...
Setting up a Colour Grading Suite
How to set up a colour grading suite… Carey Dissmore and Steve Oakley present a very down to earth run through, of what it takes to set up a colour grading suite based on DaVinci Resolve. They...
Walter Murch on Sound Design
An hour with Walter Murch discussing Hollywood sound design…
Moneyball editor Christopher Tellefesen
Studio Daily has a great interview with Moneyball editor Christopher Tellefesen about his instinctive process of cutting, reliance on Avid Script Sync and combining Oscar nominated performances with...
Edit Suite Etiquette
How to keep your editor happy Joy Moeller shares what to do and not to do in an edit suite to keep your editor happy. It’s funny because its true!
Documentary Editor’s discuss their work at Edit Fest NY
Documentary Editor’s on How To Edit Steve Audette has posted up the full length, three part, panel discussion from Edit Fest NY 2011, which features four professional documentary editors...