How To Edit A Documentary – An Inside View
If you’ve ever wondered how to edit a documentary then editor Steve Audette is the man to show you how it’s done. Steve has edited documentaries for nearly 20 years and currently edit’s many of Frontline’s prime time docs. During the post production of Gunned Down, Steve tweeted numerous insights and images from the suite as he progressed through the edit, which are compiled below.
Steve also gives you a good look inside his edit suite in this previous post Inside A Professional Edit Suite. Steve has also shared an exceptional masterclass on editing documentaries for TV that people will actually want to watch, which you can find in this previous post too. It features one of my favourite Steve Audette quotes…
“The mind cannot absorb, what the butt cannot endure!“
In this 20 minute lecture Steve shares the essential skills a documentary editor needs to wield After Effects effectively to add some pizzaz to their projects. In the video below Steve demonstrates how he created the title design for another Frontline documentary, United States of Secrets.
You can also read a little bit about Steve’s documentary workflow in this 2002 article from Digital Video Editing.com.
As part of my work flow, I digitized entire interviews and used script integration to match them up to their transcripts (Very handy when you are trying to get a guy to stop talking. Just find the same word with a period at the end — double click, and drop it in audio only.) Once lined up, I never looked at the interview bins again — only the scripts.
If you want even more insight into how to edit a documentary then you should definitely look into whether an online editing course like Inside The Edit, might be the next step. It’s not cheap, but it’s an excellent education for learning the craft of documentary editing.
https://www.youtube.com/watch?v=wJ_-spSFTXA
Lastly, these 4 minutes with Frontline producer/director Michael Kirk on how to produce a documentary are well worth a watch for a good sense of all the work that happens before the footage makes it into the edit suite.
Editing a Documentary – Tweet by Tweet with Steve Audette
Read through these tweets to see how Steve cuts his docs, I’ve also included the occasional question and answer too. In this second timelapse (the first is at the top of this post) you can see what Steve is up to as he edits. I count at least three cups of coffee!
Enjoying a three day holiday before starting a six week edit for @frontlinepbs. Keep an eye here for daily updates @avid @MediaComposer
— Steve Audette, ACE (@stevecutsdocs) October 11, 2014
As promised @frontlinepbs. !st day we organize the project w/ @ElliottYChoi @Avid @MediaComposer #documentary pic.twitter.com/FES5E5AjUB
— Steve Audette, ACE (@stevecutsdocs) October 14, 2014
Next we start with a string out of our #frontlinepbs #documentary #timelinetuesday @Avid @MediaComposer pic.twitter.com/jAk4Atk0sa
— Steve Audette, ACE (@stevecutsdocs) October 14, 2014
Then we add #RTAS Compression to the Sync track. #frontlinepbs #documentary @Avid @MediaComposer pic.twitter.com/KQjiyTUSFG
— Steve Audette, ACE (@stevecutsdocs) October 14, 2014
and the edit begins @frontlinepbs #documentary. @Avid @MediaComposer I will try to keep this up as we go. questions? pic.twitter.com/uWSGmzoUqx
— Steve Audette, ACE (@stevecutsdocs) October 14, 2014
@heybove pre name tracks so AE AND I ARE ON THE SAME PAGE. EVERY #Documentary is a little different. #frontlinepbs
— Steve Audette, ACE (@stevecutsdocs) October 17, 2014
@stevecutsdocs Here you go. Make sure to put it before the compressor: pic.twitter.com/m09HT1eIPb
— Matthew Philip Smith (@m67smith) October 17, 2014
In this reply to Steve’s RTAS compressor settings Matt Smith shares his RTAS EQ settings to roll off the extreme high and low end in order to deal with mic noise.
Got busy at the end of the day. Will post today’s tweet first thing in the morning #postdontstop
— Steve Audette, ACE (@stevecutsdocs) October 16, 2014
Day two #documentary rename the tracks @Avid @MediaComposer Keep your tracks organized pic.twitter.com/5lqftXLsPM
— Steve Audette, ACE (@stevecutsdocs) October 16, 2014
today’s edit is a busy one @frontlinepbs #documentary Bin Monitor @Avid @MediaComposer #postdontstop #postchat pic.twitter.com/kqqRK9yFzQ
— Steve Audette, ACE (@stevecutsdocs) October 16, 2014
@jeffrey723 other monitor is timeline composer window and capture tool. With audio eq and audio suite tools hidden below.
— Steve Audette, ACE (@stevecutsdocs) October 19, 2014
Cutting my 1st audio Fugue for this @frontlinepbs #documentary using @avid @MediaComposer #postchat pic.twitter.com/UHOGqrSvUu
— Steve Audette, ACE (@stevecutsdocs) October 16, 2014
My least favorite job #documentary – conforming the script. Best to do it as you go, anguish is in a small dose. #postchat #postdontstop
— Steve Audette, ACE (@stevecutsdocs) October 19, 2014
And editing #documentary is the same as fine cooking. It is all in the attention to detail and taking the right steps to build your timeline
— Steve Audette, ACE (@stevecutsdocs) October 19, 2014
#MediaMonday #documentary @frontlinepbs 2nd week of the edit. We have collected over 400 audio files for Voice Fugues. @Avid @MediaComposer
— Steve Audette, ACE (@stevecutsdocs) October 20, 2014
#mediaMonday #documentary 70 911 calls, over 100 documents scanned, 6100 photos and 450 bins for this 50 min #frontlinePBS @Avid #postchat
— Steve Audette, ACE (@stevecutsdocs) October 20, 2014
#mediaMonday #documentary @frontlinepbs 5 terabytes file-based media half original half stock. Ingested 4:1s to 2TB ISIS. @Avid #postchat
— Steve Audette, ACE (@stevecutsdocs) October 20, 2014
#mediamonday #documentary more than 9000 @Avid Meidafiles 45 hours of interviews, 200 hours of stock and we’re just starting.@MediaComposer
— Steve Audette, ACE (@stevecutsdocs) October 20, 2014
Last #mediaMonday #documentary @frontlinepbs Starting week two and over 40 animations made @Avid @AdobeAE #postchat pic.twitter.com/K3YkTbJcTS
— Steve Audette, ACE (@stevecutsdocs) October 20, 2014
Cutting in my signature sound effect into the #documentary as I go. 16 min in I have two.
— Steve Audette, ACE (@stevecutsdocs) October 23, 2014
make that three #7NovemberGo
— Steve Audette, ACE (@stevecutsdocs) October 23, 2014
Too busy for the daily #documentary update this week. but here is a belated #timelinetusday for this week @Avid pic.twitter.com/zvLxKp7sYn
— Steve Audette, ACE (@stevecutsdocs) October 24, 2014
Compare that to last week #timelineTuesday #postdontstop @MediaComposer pic.twitter.com/98AmHBOEUt
— Steve Audette, ACE (@stevecutsdocs) October 24, 2014
layout of the audio headlines I’ll be making fugues from in this #documentary @frontlinepbs @MediaComposer #postchat pic.twitter.com/T8NLIqPLEP
— Steve Audette, ACE (@stevecutsdocs) October 24, 2014
#documentary To set up a guilty-building, remember it’s not the structure but the person inside that tells the story pic.twitter.com/TelDPVeHWh
— Steve Audette, ACE (@stevecutsdocs) October 24, 2014
Building still animations in @AdobeAE in an HD comp but render quarter rez & resize to SD for fast imports into my SD offline @Avid project
— Steve Audette, ACE (@stevecutsdocs) October 27, 2014
not sure how often this is mentioned but Keeping the @AdobeAE project organized is key. #postchat pic.twitter.com/XIASgvIlpz
— Steve Audette, ACE (@stevecutsdocs) October 27, 2014
Spent the last 3 days cutting a 2 min scene that would not play as an easy narrative. Solution? Drop the scene. Let the story b easy to tell
— Steve Audette, ACE (@stevecutsdocs) October 28, 2014
Ttoday’s #timelinetuesday @Avid showing how the day started and ended from paper cut to rough cut in @MediaComposer pic.twitter.com/9X8d2ot5bJ
— Steve Audette, ACE (@stevecutsdocs) October 28, 2014
this is the second #documentary that I have used @Avid stereo tracks on the @MediaComposer BOY do I love it #frontlinePBS
— Steve Audette, ACE (@stevecutsdocs) November 4, 2014
#TimelineTuesday @frontlinepbs Sequence builds week one to three. Just finished the end of act2.@Avid @MediaComposer pic.twitter.com/nIHQdt7wJM
— Steve Audette, ACE (@stevecutsdocs) November 4, 2014
three most important windows when starting to build a scene. @MediaComposer @Avid #documentary #frontlinePBS pic.twitter.com/DJdpUXZJ13
— Steve Audette, ACE (@stevecutsdocs) November 5, 2014
#throwbackthursday My old edit suite running @Avid @MediaComposer #frontlinepbs #documentary #postchat #postdontstop pic.twitter.com/DYRGgft75J
— Steve Audette, ACE (@stevecutsdocs) November 6, 2014
For those who know I signature my cuts with the sound file #7NovemberGo Homage to the great illustrator Hirschfed who hid a name in
— Steve Audette, ACE (@stevecutsdocs) November 8, 2014
Hirschfeld engaged in the “harmless insanity,” of hiding her name [Nina]. The number of NINAs concealed is shown by an numeral his name.
— Steve Audette, ACE (@stevecutsdocs) November 8, 2014
https://t.co/ZXsszTZkXh How I spent my Saturday #cutting @frontlinepbs #documentary #postchat @Avid @MediaComposer @AdobeAE Very productive
— Steve Audette, ACE (@stevecutsdocs) November 10, 2014
Rough cut screening. Moved up from Friday. Always an adventure to see the #documentary through the eyes of the executives. #frontlinepbs
— Steve Audette, ACE (@stevecutsdocs) November 18, 2014
OK here is today’s Rough Cut #TimelineTuesday from @frontlinepbs @Avid @MediaComposer #documentary pic.twitter.com/IEb4GTMNiK
— Steve Audette, ACE (@stevecutsdocs) November 18, 2014
One more #TimelineTuesday @Avid @MediaComposer 5 week progression in the @frontlinepbs edit room. pic.twitter.com/up6eHMVsz7
— Steve Audette, ACE (@stevecutsdocs) November 18, 2014
I find one of my most go to comands used is “option-AddEdit” and “SelectRIght” to open up a hole in my timeline. @Avid @MediaComposer
— Steve Audette, ACE (@stevecutsdocs) November 19, 2014
Working the “boxes” on @frontlinepbs #documentary #postchat pic.twitter.com/IDkeR9hGIt
— Steve Audette, ACE (@stevecutsdocs) December 19, 2014
New Years Eve Cutting for #frontlinePBS #documentary @Avid @MediaComposer #postchat pic.twitter.com/SZgWdTmlbj
— Steve Audette, ACE (@stevecutsdocs) December 31, 2014