How To Be A DIT – From Sensor To Screen A DIT’s (Digital Image Technician) responsibilities cover the entire journey an image will take from the camera sensor to the screen. Beginning...
Category - Interview
How To Become A Better Colorist
How To Become A Better Colorist If you want to become a better colorist this year then learning from some of the world’s best colorists would definitely be a smart idea. In this round up of...
How To Become A Commercials Editor
How To Become A Commercials Editor – Interview with a Pro James Rosen is a sought-after commercial’s editor working at boutique editing house Final Cut, in the heart of London. James and I sat...
Behind The Scenes on Interstellar
Behind The Scenes on Christopher Nolan’s Interstellar Christopher Nolan’s Interstellar is probably my most anticipated film of 2014, and one that I will enjoy seeing in 70mm film print at...
How To Be A DIT – Part 11
How To Be A DIT – Part 11 – The Basics This is the 11th instalment of How To Be A DIT, but really a lot of the knowledge and resources in these posts is also extremely valuable for...
Learn Film Editing From Master Film Editors
Learn Film Editing From Master Film Editors Before the internet I really have no idea how you would have the opportunity to learn as much, and in as much detail, as you can from excellent resources...
How To Become A 2nd Assistant Film Editor
How To Become A 2nd Assistant Film Editor 2nd Assistant Film Editor Robert Sealey’s various post credits include Star Wars: Episode VII, Mission Impossible 5, Heart of the Sea, Edge of...
The Making of Gone Girl
Inside the Gone Girl Post Production Workflow David Fincher’s Gone Girl seems to have created the perfect storm for post production geeks (like me!) who are both excited by the prospect of a...
Inside The Edit – Editing Course Review
Why you should spend £4000 on Inside The Edit Why is Inside The Edit worth the money? Save 20% on Inside The Edit Promo Code Free Inside The Edit Tutorials The reason you should seriously...
How To Be A DIT – Part 10
How To Be A DIT – Tutorials, Tools & Workflows In the 10th instalment of my How To Be A DIT series I’ve put together an extensive round up of valuable insights from around the web for...
Inside Edit Fest London 2014
The Best Quotes from Edit Fest London 2014 I was fortunate enough to be able to attend the American Cinema Editor’s Edit Fest London at the very comfortable BFI on the South bank in London. It...
Making of Godzilla 2014
The Making of Godzilla 2014 Godzilla (2014) looks like a great summer blockbuster to me – largely because of director Gareth Edwards and (in this trailer) Bryan Cranston’s excellent...
What A Film Editor Actually Does
What A Film Editor Actually Does If you’ve ever wondered what a film editor does, and what it takes to be one, then this 2 minute promo for creative film editing course Inside The Edit, is...
DaVinci Resolve 11 – New Features
DaVinci Resolve 11 – New Features For Colorists DaVinci Resolve 11 was announced at NAB 2014 and will be available in (late) June. As always Blackmagic Design have pulled out all the stops to...
Resources for Film Editors To Improve Your Craft
Resources For Film Editors To Improve Your Craft Every editor is always a student of film. No matter how high you rise there will always be new things to learn, new problems to solve, new creative...