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3D Adobe Premiere Pro After Effects Apple Color Apple Motion Arri Alexa AVID Books Business Colour Grading Compositing Craft Creativity DaVinci Resolve DIT Documentaries Editing Editor's Tools FCP-X Final Cut Pro Free download Gotcha Lightworks Motion Graphics RED Review Smoke Sound Design Thunderbolt Toolbox Tutorials Visual Effects Workflow
Editing Feeds
Feeds from other great editing sites
- Moonrise Kingdom (digitalfilms)
- VIDEO OUT OF PPRO CS6 – SWITCHING MONITORING FORMAT (Little Frog in High Def)
- Nominated for 39th Annual Daytime Emmy for 'OUTSTANDING ACHIEVEMENT IN MULTIPLE CAMERA EDITING' (iCut Film)
- Splice Here -> Splice Now (Splice Now)
- Canon Cinema EOS 1D C (Prolost)
- The NLE Dilemma: The Alternatives (Strypes In Post)
- The Wonderous Gadget that is the Trim Edit Window (The Final Cut Pro Shortcutter)
Colour Grading Feeds
All the best color correction feeds
- IMAG Directing (AaronWilliams.tv)
- Starship Detritus—The Artwork is Finished! (Alexis Van Hurkman – Thinking Aloud)
- Warren at NAB (ICA/International Colorist Academy » ICA Blog)
- First Look: Tangent Element (TaoOfColor.com)
- My Top Davinci Resolve Requests (Blog)
VFX/AE/Graphic Design
Tutorials, inspiration and cool work from the world of VFX
- Transform (Motionworks)
- Dark Shadows: retro old school VFX with a modern twist (fxguide)
- Episode #78 - Web Line Escape: Spider-Man Web-Slinging Effect (Red Giant TV)
- Rigging the Bird (AppleMotion.net Blog)
- Plot Device wins the Webby! (All Bets Are Off Productions)
- Red Giant TV Live – Episode 10: Let it Flow (graymachine | The Art and Science of Motion)
- Mid-Air Emergency! (Video Copilot Tutorials)
Author Archives: jonny
Understanding RAW, LOG and Uncompressed
What’s the difference between RAW, LOG and Uncompressed? HDVideoPro.com has a useful post explaining the differences between shooting RAW, LOG and uncompressed video. Andy Shipsides explains the essentials differences to all three of these camera elements, using the ARRI Alexa … Continue reading
Posted in Arri Alexa, Colour Grading, DIT, Workflow
Tagged adobe premiere pro, ARRI Alexa, colour grading, DIT, workflow
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Colour Grading Round Up
Which Colour Grading Software Should I use? Creative Cow Magazine has an lengthy round up of pretty much all the serious contenders for colour grading available in 2012, covering everything from Avid Symphony, Baselight’s plugin to Scratch, Smoke and Resolve. … Continue reading
Posted in Colour Grading, DaVinci Resolve, Editor's Tools, Smoke
Tagged Assimilate Scratch, colour grading, Davinci resolve, editors tools
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Todailes – Digital Dailies Ipad App
Todailies – Ipad App LightIron Digital have released a $9.99 ipad app called Todailies which when coupled with a free laptop app called LightIron Server lets you wirelessly stream dailies to any connected ipad (several simultaneously) and allow different crew members to … Continue reading
Posted in DIT, Editor's Tools, Free download, Tutorials, Workflow
Tagged DIT, editors tools, tutorial, workflow
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Edit Suite Design
Designing your own edit suite Oliver Peters has a great blog post with some tips on designing your own edit suite covering everything from uninterruptable power supplies to acoustics and how to best lay out your equipment. Business Tips for … Continue reading
Posted in Business, Craft, Editing, Editor's Tools, Workflow
Tagged business, craft, editing, editors tools, Ergonomics, workflow
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Creating production dailies with Scratch Lab
If you’re interested in using Scratch Lab for providing production dailies check out this 30 minute video tutorial from Michael Forrest of Assimilate. The new metadata tools in Scratch Lab 6.1 are also demonstrated here…
Useful resources for learning Avid
Switching to Avid? Scott Simmons from the Pro Video Coalition gave a seminar at NAB 2012 where he taught the essentials for editors migrating to Avid Media Composer. He followed up that seminar by posting a list of useful links for … Continue reading
Posted in AVID, Books, Editing, Editor's Tools, Tutorials
Tagged Avid, editing, editors tools, tutorial
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Editing in Stereoscopic 3D
Gordon Burkell has a fantastic article introducing some key concepts to be understood when editing in stereoscopic 3D over on masteringfilm.com. Cutting in 3D Burkell’s article covers the importance of shot choice, pacing and use of depth scripts when understanding … Continue reading
Posted in 3D, Editing, Visual Effects, Workflow
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Free lens flares
Gorilla Grain has morphed its way into flashbangfx.com and has a brand new range of 24 different camera lens flares to add to your footage. There are some free 720p Pro Res ‘Insta-flares’ available to download here.
Posted in Compositing, Editor's Tools, Free download
Tagged compositing, download, editors tools, free
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Premiere Pro CS6 vs Final Cut Pro
Premiere Pro CS6 first impressions… David Lawrence has a lengthy blog post over on Creative Cow with his first impressions of the new Adobe Premiere Pro in CS 6. As a long time FCP user he compares and contrasts the … Continue reading
Posted in Adobe Premiere Pro, Editor's Tools, Final Cut Pro, Review
Tagged adobe premiere pro, editing, editors tools, final cut pro, Review
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Editing Moonrise Kingdom
Editing Wes Anderson’s Moonrise Kingdom Andrew Weisblum has edited for Wes Anderson’s last two films (Fantastic Mr Fox and The Darjeeling Limited) as well as for Darren Aronofsky (The Wrestler, Black Swan) and is back in the edit suite for … Continue reading
